Single Artist Reissues

A new animal disrupted the political circus in 1908 when the phonograph carried the voices of presidential candidates directly to the people. Debate '08 marks the centennial of this historic premiere with the first reissue of all 22 Edison wax cylinders recorded by the Democratic candidate, William Jennings Bryan, and the Republican candidate, William Howard Taft. The two-minute duration of these records forced an eager Bryan and a reluctant Taft to excerpt their nuanced speeches and get to the point. Thus began the 20th century's march to the sound bite . . . and the redefinition of political communications for all time. Includes full-color 80-page wide-format booklet with transcripts of the speeches and original research. Read more »

Second edition (2005), featuring newly remastered sound, one bonus track, and expanded and enhanced 20-page booklet. 22 selections, recorded between 1916 and 1919, including one rejected take from 1917, and two final selections from 1927. Marion Harris was the first female vocalist to record songs with "jazz" and "blues" in their titles; she exemplifies the transition from the old school of gutsy ragtime singing to the newer, softer kind of delivery that was typical of female vocalists of the 1920s. Read more »

The third volume of The Complete Bert Williams. 24 songs from 1919-1922, recorded in New York and Chicago, including both "Elder Eatmore" sermons. Booklet now (2005) expanded to 20 pages, with notes on Williams' final years, sheet music illustrations, and other rare graphics. Sound of some noisier tracks now improved. Read more »

The second volume of The Complete Bert Williams. 26 songs from 1910-1918, recorded in New York, including two monologues that were held for release until after Bert's death: "How? Fried" and "You Can't Do Nothing Till Martin Gets Here." 24-page booklet with rare graphics, and notes co-written by Allen G. Debus. Also features the entire article "The Comic Side of Trouble," by Bert Williams, published in 1918 by the American Magazine. Read more »

The first volume of The Complete Bert Williams, featuring the legendary comedian's rarest records. 31 tracks from 1901-1909, including several with George Walker: 15 tracks from their 1901 sessions and a further 16 tracks from sessions in 1906 and following. Five selections are featured in both their 7- and 10-inch disc versions, and the collection includes all four of Williams' 2-minute cylinders, one 3-minute cylinder, and one rejected take from 1906. The 32-page full-color deluxe booklet features illustrations as rare as the records, with notes co-authored by renowned scholar Allen G. Debus and also reprints in its entirety George Walker's 1906 reminiscences about the beginnings of Williams and Walker in "The Real 'Coon' on the American Stage." Read more »

Complete releases from 1912-1914, with two bonus tracks from 1910 before the ensemble took the name of the Heidelberg Quintet; 26 total songs, including three Edison 4-minute cylinders. Lead vocals by Billy Murray and countertenor Will Oakland. Features a 24-page booklet with previously unpublished notes on the group and a complete reprinting of the hitherto forgotten "Reminiscences of Early Talking Machine Days" by first tenor John Bieling, from The Talking Machine World in April 1914. Read more »

28 songs from 1907-1910, recorded in Camden and New York, with a lavish 28-page booklet containing newly discovered biographical data and rare graphics. Includes all the early rare Victors and Columbias, as well as the Edison 4-minute cylinder of "A Singer Sang a Song," and the Indestructible cylinder of "In the Right Church, but in the Wrong Pew." The former "Singing Cop" from Philadelphia, Eddie Morton was a top stage performer for more than 20 years. Read more »

With 51 songs on 2 CDs and running for over two and a half hours, Together and Alone is a landmark retrospective of two of Broadway's brightest stars ever, Nora Bayes and Jack Norworth. This ambitious collection boasts some of the most classic songs in American history, performed by the pair that brought them to the stage. In addition to a 32-page booklet with extensive illustrations and notes co-authored by Allen G. Debus, the CD includes three never-before released tracks: two by Nora Bayes from 1917 and one by Jack Norworth from ca. 1950—a home recording of Bayes and Norworth's biggest hit, "Shine On, Harvest Moon." Read more »

One of the premier conductors of the early 20th century, Pryor was second in reputation only to Sousa, and his band traveled the world spreading Pryor's fame for ragtime, classical adaptations, and masterful musical precision. Guided by trombonist and Pryor expert David Sager, we have assembled these 25 recordings into two simulated "concerts," presenting them the way that visitors to New Jersey's resort spot, Asbury Park, might have heard them in the first decade of the last century. Read more »

Gathered for the first time, here are Sophie Tucker's earliest recordings, from Edison wax cylinders and impossibly rare discs, chronicling the rough and ready rise of this lasting icon of the double entendre. A master of self-marketing, Tucker learned long before she became known as The Last of the Red Hot Mamas that the key to her success lie in controlling--and changing as needed--the facts of her personal story. Documentarians Susan and Lloyd Ecker unravel all the loose ends and contradictory threads comprising the early years of one of the 20th century's most colorful stage personalities. With a hardback book-binding and 72 full-color pages, this beautiful package features dozens of illustrations from Sophie's personal scrapbooks, a foreword by Michael Feinstein, and a personal remembrance by Carol Channing. Read more »

26 tracks and a thoroughly entertaining 24-page booklet featuring a new biographical sketch by vaudeville historian Trav S.D. Although he was popular on stage for more than two decades, playing the scruffy but urbane tramp, Wills' recorded output totaled only 26 distinct titles, and they are all here, compiled for the first time ever and sounding like they were recorded yesterday. Read more »

The greatest piano-accordion player ever to grace the instrument! Compiled with the assistance of Guido Deiro's son, Count Roberto Guido Deiro, and featuring the scholarship of master accordion player Henry Doktorski. Tracks range from light classical and operatic to ragtime and the pop hits of the day. Read more »

With 24 tracks, Sweetheart of the AEF features the almost-complete acoustic-era output of Elsie Janis, a star of the stage who took her act to the soldiers on the front lines in World War I. Sweetheart of the AEF comes with a lavishly illustrated, 24-page full-color booklet with notes and scholarship by our late friend and collaborator, Allen G. Debus. Read more »

Volume 2 of Guido Deiro's complete recordings includes 25 tracks showcasing Deiro's mastery of both popular and classical material. The package includes a 24-page full-color booklet with extensive notes by free-reed scholar Henry Doktorski, meticulous restorations of the music, and personal photos provided by Guido's son, Count Guido Roberto Deiro. The tracks were recorded between 1911 and 1917 and include the only two accordion duets waxed by Guido and his brother, Pietro. Additionally, Complete Recorded Works, Volume 2 will be of interest to historians of vaudeville and films, as it features new revelations about the marriage of Guido Deiro and Mae West. In his detailed notes, Guido's son recalls his meeting with Mae West in 1959 when she told him the facts of her relationship with Deiro--the mysterious "Mr. D" mentioned in her autobiography, Goodness Had Nothing to Do with It. These are the things she never told any interviewer, and now the historical record is set straight. Read more »

30 songs from 1903-1940 that provide a career retrospective of the most popular recording artist of the acoustic era. Includes the rare brown wax cylinder of "The Way to Kiss a Girl" from one of Billy's first recording sessions for Columbia, and "It's the Same Old Shillelagh," peformed with Harry's Tavern Band in his comeback of 1940. Features collaborations with Ada Jones, the American and Haydn Quartets, Aileen Stanley, Ed. Smalle, and Walter Scanlan. A thick 24-page booklet contains a biographical essay and song notes by Murray biographer Frank Hoffmann and a reminiscence of Murray by a man who knew him, Quentin Riggs! Read more »

Now Available: a career-spanning retrospective, featuring 27 songs, recorded over 25 years by Henry Burr--the most popular ballad singer of the first 30 years of the recording industry. The collection begins in 1903, when disc technology was still in its primitive stages, and ends in 1928, during the early electrical recording era, showing Burr in full vocal power. Duets with Ada Jones, Albert Campbell, and Frank Stanley, trios with Campbell and Oakland and the Sterling Trio, and quartets with the amazing Peerless Quartet-they're all here on this outstanding collection.

Irving Kaufman, Anthology: The Last Recording Pioneer represents Irving’s incredible 60-year span of activity, beginning from his first acoustic recordings in 1914 to the final cuts made in his home in August 1974. The booklet includes several rare photographs, some contributed by Irving's family, and features detailed liner notes by Kaufman expert Ryan Barna, examining both the professional and personal life of this legendary performer. Read more »

Complete releases from sessions between September 1920 and September 1921 in Camden and Chicago; 26 tracks and over 79 minutes total. A packed 28-page booklet reveals previously unknown details about the life and business of impresario Edgar A. Benson, the man who controlled the dance-band scene in Chicago for many years. This is the band that popularized "stop-time" rhythm and launched the career of pianist and arranger Roy Bargy, later of Paul Whiteman's Orchestra. Read more »

26 tracks, recorded between 1911 and 1927, spanning the entire career of this saxophone troupe that started the "saxophone craze" of the 1910s, and comprising roughly half of their recorded output. Beautiful 24-page, full-color booklet contains extensive notes by Brown Brothers expert Bruce Vermazen, and it includes uncommon illustrations from Vermazen's personal collection. Of special note is the inclusion of three previously unreleased tracks, particularly one in which leader Tom Brown performs his legendary "abandoned-bride" routine--a humorous interplay between a full orchestra and the consummate saxophonist showing his full bag of tricks. Read More »

The San Francisco Sound compiles 25 selections from Hickman's 1919-1920 sessions together with extensive notes by Bruce Vermazen in a 24-page booklet. Hickman's sound influenced big band 20 years later, but you will be amazed at just how hot these guys could play! Read more »

Vaudevillian Wilbur C. Sweatman impressed audiences by playing three clarinets at once, but he was more than just a novelty. A transitional figure in the move away from ragtime and into jazz, Sweatman and his band were the hottest and the best players of the Dixieland style of jazz that erupted onto the American music scene in the late 1910s. 25 tracks, including the complete Columbia releases of Sweatman's band recorded from 1918 to 1920, along with one rarity, the Little Wonder (5-1/2" disc) of "Lonesome Road." The 24-page booklet with writing by Harlem Renaissance scholar Steve Tracy features an overview of Sweatman's life, detailed and informative notes on the selections, and a persuasive argument for Sweatman's place in the early jazz pantheon. Read more »

The San Francisco Sound: Volume 2 compiles 25 selections from Hickman's 1920-1921 sessions together with extensive notes by Bruce Vermazen in a 24-page booklet. The follow-up to our first collection of Art Hickman's recordings, this second volume brings to a close the story of the influential band's dominance of dance floors on both U.S. coasts. Read more »

"Ain't Gonna Settle Down" features all 14 recordings made by the obscure but remarkable cabaret star Mary Stafford in 1921 and 1926 and 32 selections by Louisville-born Edith Wilson, covering her entire released repertoire from 1921 to 1930. A handsomely illustrated 32-page booklet with notes by blues scholar Steve Tracy accompanies the two CDs. These records have never sounded better, and for the first time they are presented with the care they deserve. Read more »

With 24 tracks, Broadway's Favorite Clowns features the selections not included in our first collection of the Six Brown Brothers' work. Brown Brothers expert Bruce Vermazen again provides the notes and research, and the set is packaged with a 24 page full-color booklet with rare photos and illustrations. Read more »

Star of the minstrel stage, singer on hundreds of records, personality of radio and television, and the man who discovered Al Jolson, Will Oakland had a career that spanned more than 50 years. Celebrating his golden jubilee as a performer, he recorded a commemorative LP with stories and snippets of old records and gave them to friends and fans. Made in 1954, this extraordinary souvenir has been the subject of rumors by collectors but has never been available commercially—until now. Read more »