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Guido Deiro, Complete Recorded Works

Archeophone is proud to be collaborating with Count Guido Roberto Deiro, son of accordionist Guido Deiro, to issue the entire recorded works of his late father. Count Deiro has established a comprehensive archive of his father's work at CUNY, and with their generous cooperation, Archeophone has at its disposal choice copies of almost every recording ever made by Guido Deiro. However, some titles have eluded all parties involved to date. If you have any of these titles, we would appreciate greatly if you contacted us.

Titles still needed:

  • Amore Waltz (Columbia E2105, c. 1914)
  • Aus dem Hochwald (Columbia E1910, c. 1914)
  • Bospherus March (Columbia R2327, 1914)
  • Diavoletta (Columbia D9310, c. 1912)
  • Drigo’s Serenade (Columbia 01168, 1928 Australia)
  • Il Piantoare (Columbia A1739, 1912)
  • Kniebohrer Landler (Columbia E1910, c. 1914)
  • La Paloma / Tripoli (Columbia E2104, c. 1914)
  • La Traviata – Quartet, Act 3 (Columbia R1880)
  • Luna Waltz (Columbia E2105, c. 1914)
  • Romeo and Juliet Overture (Columbia 01167, 1928 Australia)
  • Son gelosa / Washington Post March (Columbia C2441, c. 1912)
  • Toselli’s Serenade (Columbia 01168, 1928 Australia)
  • Under the Double Eagle (Columbia E-987, c. 1912)
  • Waters of Minnetonka (Columbia 01167, 1928 Australia)

 

 

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Lost Sounds: Blacks and the Birth of the Recording Industry, 1891-1922
Lost Sounds: Blacks and the Birth of the Recording Industry, 1891-1922
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