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Ragtime was in a full-swing comeback in 1912. Tunesmiths like Irving Berlin
rode the craze and churned out hit after hit. Now, whether Berlin's "The Ragtime
Violin" or Gilbert and Muir's "Ragging
the Baby to Sleep" were true ragtime is for musicologists to debate, but
the public grabbed on to these songs as the real thing, much as audiences nearly
50 years later would consume rock and roll records in substitution for black
rhythm and blues.
Jolson and Murray break out
Al Jolson's first recordings for Victor were hits in 1912. He was a new Broadway
sensation, starring in La Belle Paree and performing "That Haunting
Melody." Billy Murray, meanwhile, was in the process of becoming a recording
superstar. The always popular Murray was featured on records as a solo singer
(the risque "If You Talk in Your Sleep, Don't Mention My Name"), in duets
with Ada Jones ("Be My Little Baby Bumble Bee"), as the leader of the American
Quartet ("Oh, You Beautiful Doll," "Moonlight
Bay," "Everybody Two-Step"), and as a member of the Heidelberg Quintet
("Waiting for the Robert E. Lee"). So prominent was Murray that Columbia Records hired
the young Murray sound-alike Walter Van Brunt to work with Ada Jones on duets
such as "I'm Afraid, Pretty Maid, I'm Afraid," since Murray was
under exclusive contract to Victor and Edison.
Classical popularity
Opera stars Enrico Caruso and Alma Gluck with Louise Homer thanked their faithful
American audiences who, over the years, purchased all those expensive Victor
Red Seal records, by giving them English-language recordings to feast upon.
Caruso's "Love Is Mine" and Gluck and Homer's "Whispering Hope" are more
serious than the rags of 1912, but they were smashes all the same. And, while
not high-brow, the Scot Harry Lauder found Americans eager to hear his brogue-inflected
musings on "Roamin' in the Gloamin'," a
release in Victor's 12-inch purple-label specialty series.
Widely representative
Archeophone's "1912" CD has many of the biggest names of the acoustic era.
In addition to Jolson, Murray, Caruso, Lauder, and the American Quartet, you'll
find Collins and Harlan ("I'm Going Back to Dixie"), Campbell and Burr ("When I Was Twenty-One and You Were Sweet Sixteen"), Bob Roberts ("Ragtime Cowboy Joe"), Fred Van Eps ("Red Pepper: A Spicy Rag"), Guido
Deiro ("In the Land of Harmony and Stop Stop Stop"), and Ada Jones (doing the charmingly silly "Ring,
Ting-a-Ling").
Music during a time of international tragedy
The sinking of the Titanic was not simply an American problem; lives from both
sides of the Atlantic were lost, and debate continues today over how class
status affected who lived and who died. The color booklet accompanying this
compact disc contains an essay that attempts to make sense of the time that
encompassed both the fateful voyage of the Titanic and the re-emergence of
ragtime. Also detailed is one of the most exciting presidential campaigns
of American history, when former president Teddy Roosevelt challenged his
one-time friend, the Republican incumbent William Howard Taft, before becoming
the Bull Moose candidate. The result was a split vote that allowed Democrat
Woodrow Wilson to sneak a narrow popular victory.
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