28 songs from 1907-1910, recorded in Camden and New York, with a lavish 28-page booklet containing newly discovered biographical data and rare graphics. Includes all the early rare Victors and Columbias, as well as the Edison 4-minute cylinder of "A Singer Sang a Song," and the Indestructible cylinder of "In the Right Church, but in the Wrong Pew." The former "Singing Cop" from Philadelphia, Eddie Morton was a top stage performer for more than 20 years. List price: $16.49
- Catalogue number: ARCH 5006
- UPC: 777215104648
- Original release date: October 4, 2003
- Running length: 78:57 / 28 tracks
- Notes & packaging: Includes a 28-page booklet
- Tracks recorded: 1907-1910
- Contains racially derogatory language
- In Archeophone’s Pioneers series
Sample all tracks
|1.||That’s Gratitude||Eddie Morton||1907|
|2.||Just a Friend of the Family||Eddie Morton||1907|
|3.||Mariuch Dance da Hootch-a-Ma-Kootch||Eddie Morton||1907|
|4.||The Peach that Tastes the Sweetest Hangs the Highest on the Tree||Eddie Morton||1908|
|5.||The Right Church but the Wrong Pew||Eddie Morton||1908|
|6.||The Party that Wrote “Home, Sweet Home” Never Was a Married Man||Eddie Morton||1908|
|7.||Don’t Take Me Home||Eddie Morton||1908|
|8.||Somebody Lied||Eddie Morton||1908|
|9.||Music Makes Me Sentimental||Eddie Morton||1908|
|10.||In the Right Church but in the Wrong Pew||Eddie Morton||1908|
|11.||A Singer Sang a Song||Eddie Morton||1908|
|12.||I’m a Member of the Midnight Crew||Eddie Morton||1909|
|13.||In Ireland||Eddie Morton||1909|
|14.||I’d Rather Be a Minstrel Man than a Multimillionaire||Eddie Morton||1909|
|15.||That’s the Doctor, Bill||Eddie Morton||1909|
|16.||Please Don’t Tell My Wife||Eddie Morton||1909|
|17.||Wild Cherry Rag||Eddie Morton||1909|
|18.||Then We’ll All Go Home||Eddie Morton||1909|
|19.||Don’t Take Me Home||Eddie Morton||1909|
|20.||You Ain’t Talking to Me||Eddie Morton||1909|
|21.||If He Comes In, I’m Going Out||Eddie Morton||1910|
|22.||I Won’t Be Back Till August||Eddie Morton||1910|
|23.||Wild Cherries Rag||Eddie Morton||1910|
|24.||Let George Do It||Eddie Morton||1910|
|25.||Oh, You Dream||Eddie Morton||1910|
|26.||That’s the Fellow I Want to Get||Eddie Morton||1910|
|27.||Don’t Make Me Laugh, Bill||Eddie Morton||1910|
|28.||If I Could See as Far Ahead as I Can See Behind||Eddie Morton||1910|
One of the most extraordinary performers of the early recording industry, Eddie Morton was a top vaudeville draw for 20 years. Morton could really deliver a song, make it his own, and give it over to an audience. He had good humor, a real warmth, impeccable timing, and he could “put over” a song on the money notes, always ending with a very strong finish. Eddie is so personable in his delivery, you may feel like you know him. If you want to know what vaudeville sounded like, Eddie Morton is the real deal!
“The Singing Cop”
From about 1898 until about 1905 or 1906, Eddie Morton worked for the Philadelphia Police Department, where he gained a reputation as a singer. He took a chance on variety and made his mark on the Madison Square Garden rooftop in the summer of 1907 as a cast member of The Maid and the Millionaire. He immediately got a recording contract. Unlike many of his contemporaries who made only a handful of records or none at all, Eddie graced the world with more than 50 recordings, and here is the first of an eventual two-volume set covering his career. His first stage hits, “That’s Gratitude” and “Just a Friend of the Family” (the latter a hit for Williams and Walker), are both here. So too is a very funny number that incorporates some stage talk into the verses, “The Party that Wrote ‘Home, Sweet Home’ Never Was a Married Man.” We’ve put the entire song for you to hear, and we’re sure you’ll want to hear more!
Imitator of Bert Williams
Morton’s early specialty was “coon” songs. He sang songs popularized by Bert Williams, many of which were recorded by Arthur Collins, such as “Somebody Lied” and “The Right Church but the Wrong Pew.” Like Williams and Collins, Morton was a baritone, and lucky for us today, recording company brass at the time didn’t want overlap between Morton and the other two, so he didn’t record his stage hits such as “Moving Day” and “The Preacher and the Bear”—those were left to Collins. Eddie instead recorded the big-show-finisher “I’d Rather Be a Minstrel Man than a Multi-Millionaire” and “Music Makes Me Sentimental.” If you like Bert Williams, you will definitely enjoy this CD, but where Bert talks his way into your heart, Eddie sings his way there.
Often the humor of 100 years ago doesn’t seem so funny nowadays. Not so with this collection. “That’s the Fellow I Want to Get,” “A Singer Sang a Song,” “Let George Do It” (based on the comic strip by George McManus), and “I Won’t Be Back Till August” will genuinely have you laughing. And, if a little ethnic humor is your thing, “In Ireland” and “Mariuch” will fill the bill. Drinking songs? “Then We’ll All Go Home” will do the trick. There’s a little of everything here. One of the most pleasing songs of all is “Oh, You Dream,” the Jerome and Schwartz composition that tenderly and favorably compares the singer’s beloved to all the top stars of the variety stage. It’s a poignant “who’s who” of a love song.
Like an Afternoon at the Show
Terrific singing, funny songs, a clear delivery, and a personal, accessible style make Eddie Morton the true “sound of vaudeville.” It’s like taking an afternoon to go to the matinee. This CD packs in 28 songs, nearly 79 minutes in all, and a 28-page booklet full of rare sheet music, pictures, advertisements, and previously unpublished, newly discovered facts about Eddie’s early life. And the sound of the records is unparalleled in our catalogue. All the tracks are from 1907-1910, and they never sounded better!
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