Centennial will be released on August 30, 2024; order before August 1 for the steepest discount. The 1923 recordings by King Oliver’s working Chicago band are the stuff of legend. Nothing like them had ever been heard on record before, and nothing in jazz would be the same afterward. Here, for the first time, all 37 sides are presented—in release order—on...
1903: “‘Twas on the Good Ship Cuspidor” features 26 selections from the year the Wright Brothers took flight and the Department of Commerce and Labor was founded. Highlights include “Hurrah for Baffin’s Bay,” “Come Down My Evening Star,” “Down Where the Wurzburger Flows,” and “The Beer that Made Milwaukee Famous.”
Thirty years before some fiddlers from Texas, Oklahoma, and Georgia started recording a new genre of music called “hillbilly,” a Creole of color from the Seventh Ward of New Orleans named Louis Vasnier (1858–1902) beat them to the punch. Recorded in 1891, “Thompson’s Old Gray Mule” is the most raucous version of a song that, better known as “Johnson’s Old...
As a founding member of the all-Black Clef Club, Washington DC-born-and-raised Ford T. Dabney helped revolutionize 1910s society dance music with his chief collaborator, James Reese Europe. In 1916, his syncopated orchestra began a multi-year residency with Flo Ziegfeld’s Midnight Frolic, an after-hours show staged in New York’s New Amsterdam Theatre...
Before Phil and Don Everly, before Simon and Garfunkel, long before Hall and Oates . . . the most popular recording duo over the first quarter of the 20th century was the team of Arthur Collins and Byron G. Harlan. Dubbed “America’s Favorite Entertainers” as they crisscrossed America in the late 1910s and early 1920s promoting Edison’s superior talking...
The newest volume in our Phonographic Yearbook series. 1923: “Gonna Play the Villain Part” features 25 selections from the year a popular president died amid growing public scandals, a new sign illuminated the Los Angeles skyline, and the country was swept up musically by the question of where one could find bananas.
Under the pseudonym “Carl Fenton,” Gus Haenschen led some of the tightest orchestra recordings of the 1920s—but he also oversaw the musical direction at the Brunswick label, where he signed Isham Jones, Al Jolson, Nick Lucas, Abe Lyman, the Happiness Boys, and even Charlie Chaplin. Haenschen probably would not have gotten that job had it not been for his...
For all the vexed issues they pose to us now, minstrel shows were an important part of American social life in the 19th and early 20th centuries. In the early days of the phonograph industry, the record labels attempted to bring the experience of minstrelsy into consumers’ homes. The records were popular; hundreds of titles and thousands of examples...
Archeophone is proud to announce its special arrangement with Off The Record, LLC to distribute its new King Oliver set--the finest reissue of the legendary 1923 jazz band sides ever. Taken from pristine original sources, expertly speed-corrected, only lightly processed, and preserved in true flat frequency response: you will hear nuances you never knew...
Fifty-four tracks by 43 artists, and 60 pages of in-depth commentary and analysis: Lost Sounds is a monumental achievement that stretches back to the faint beginnings of commercial recordings and travels to the brink of the Jazz Age to trace the contributions of black artists on American records. Sometimes noisy and raucous, sometimes quiet and austere,...
Pioneer recording artist Russell Hunting went to jail for what's on this CD. 19 cylinder selections (43 tracks) from c.1892-1900 of the rarest of the rare: explicit indecent spoken-word recordings that brought down the wrath of anti-vice crusader Anthony Comstock. Actionable Offenses is a critical edition that places these recordings in their original...
Gathered for the first time, here are Sophie Tucker's earliest recordings, from Edison wax cylinders and impossibly rare discs, chronicling the rough and ready rise of this lasting icon of the double entendre. A master of self-marketing, Tucker learned long before she became known as The Last of the Red Hot Mamas that the key to her success lie in...
27 songs from 1897-1925, 28-page booklet with historical notes, artist bios, and unusual graphics chronicling the rise of "hot" playing in American music over four decades. Rare tracks by banjo virtuosos Cullen and Collins, vocalist Silas Leachman, Jim Europe's Orchestra, and his proteges in the Versatile Four. The ultra-rare "Sunset Medley" by Haenschen...
29 songs from 1898-1923, 28-page booklet with historical notes, artist bios, and rare graphics. Includes two extremely rare Berliner discs. Banjos by Ossman and Van Eps, raggy marches by Pryor and Sousa, vocals by Collins, American Quartet, and 'Gene Greene, and much more. These are the ragtime records people heard during the genre's formative years.
30 tracks from 1893-1902, transferred from exceedingly scarce Berliner discs and brown wax cylinders, with top artists such as Dan W. Quinn ("The Band Played On"), George J. Gaskin ("Drill, Ye Terriers, Drill"), John Yorke AtLee ("The Mocking Bird"), George W. Johnson ("The Whistling Coon"), Arthur Collins ("I'd Leave My Happy Home for You"), and Sousa's...
30 songs from 1903-1940 that provide a career retrospective of the most popular recording artist of the acoustic era. Includes the rare brown wax cylinder of "The Way to Kiss a Girl" from one of Billy's first recording sessions for Columbia, and "It's the Same Old Shillelagh," peformed with Harry's Tavern Band in his comeback of 1940. Features...
The second volume of The Complete Bert Williams. 26 songs from 1910-1918, recorded in New York, including two monologues that were held for release until after Bert's death: "How? Fried" and "You Can't Do Nothing Till Martin Gets Here." 24-page booklet with rare graphics, and notes co-written by Allen G. Debus. Also features the entire article "The Comic...
30 tracks from 1892-1900, transferred from exceedingly scarce brown wax cylinders and Berliner discs. More hits by the biggest artists of the American 1890s, such as Gilmore's Band, Cal Stewart, Dan Quinn, George Gaskin, Arthur Collins, and John Yorke AtLee. Standout tracks include the hitherto unattested cylinder of "Silver Threads Among the Gold" by J....
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Archeophone Records is a Grammy-winning label reissuing the acoustic era of recording (the 1890s through 1925). We rescue, preserve, and contextualize the world's oldest records. All releases feature top-notch audio restorations and our scholarship sets the standard for historical reissues.